Carla Bozulich is diversely experimental, uncompromising and continues to be ceaselessly devoted to mixing art-punk ethics and creativity. Here, with Quieter, is an intensely emotive, intuitive, enchantingly cohesive collection of previously orphaned and one-off tracks where, uncharacteristically, nothing ever quite screams. Carla’s way with a fleshy edge remains sharp as ever. A couple of these are left over from the bountifully productive sessions from her brilliant and widely-acclaimed 2014 album Boy; others featuring collaborations with the likes of Marc Ribot, Sarah Lipstate (Noveller), Freddy Ruppert, Shahzad Ismaily and more.

Quieter is the result of this ceaselessly nomadic and defiantly DIY iconoclast having settled back in Los Angeles for a spell, recovering from tour-inflicted ear damage, sifting through unreleased/unfinished material, and finding herself drawn to working on the quieter stuff (relatively speaking) in her abundant archives. Ranging from the searching, searing opener "Let It Roll" - "the most honest work I've ever done" says Carla - to the chiming, deconstructed lullabies of "Glass House" (composed by Ruppert) and "Sha Sha" (from her mid-2000s project The Night Porter) and the album's sultry closing track "End Of The World"(a duet with Marc Ribot, who penned the song), Quieter is a brilliant addition to Bozulich's impressively diverse, adventurous, and unwaveringly authentic body of work.

Very good list of musicians played there, see also, the "resume section"

 
On Easter Sunday in 1996 there was a big festival in Düsseldorf, Germany—the German TV show Rockpalast was there and captured some outstanding footage of Sonic Youth in its prime, supporting their ninth album Washing Machine, from which most of the material played in the show stems.

Other acts participating in what came to be called “Osterrocknacht” (Easter Rock Night) were Cypress Hill, the Walkabouts, Smashing Pumpkins, the Afghan Whigs, Garbage, and Chumbawamba (a year before their breakout hit “Tubthumping”).

Sonic Youth doesn’t play a single song from before Daydream Nation. In fact, 9 out of the 11 songs come off of SY’s two most recent albums, Experimental Jet Set, Trash and No Star and Washing Machine.

The first three songs amount to throat-clearing before the band starts really kicking ass on “Washing Machine.” The camerawork, audio, and editing are all excellent, and the 21-minute finale of “The Diamond Sea” has to be seen to be believed.
 Setlist:
Teen Age Riot
Bull in the Heather
Starfield Road
Washing Machine
Junkie’s Promise
Saucer-Like
Becuz
Sugar Kane
Skip Tracer
Skink
The Diamond Sea

 
 
via Fluxtumblr
 

This is part 2 of CELLULAR CHAOS' studio session in May 2011.

CELLULAR CHAOS is Ceci Moss, Marc Edwards & Weasel Walter.

Thank you for reading the fine print, because I have a confession to make – all of the composers and artists on this website are fictional. The Aisteach Foundation is a communal thought experiment, a revisionist exercise in “what if?”, a huge effort by many people to create an alternative history of avant-garde music in Ireland, to write our ancestors into being and shape their stories with care. We played fast and loose with history and the truth and we like to think Flann O’Brien would have approved.